Monday, 27 February 2012

To do:

- Change the DPS image, get my model to come around again and do another shoot. Link it more to the Front Cover image
- Include more text on the contents page
- Change the text on the contents page
- Change the text on the DPS, also put it in to proper columns and make it cover white space
- Include page numbers
- Remove the 'Inside' on the front cover - On the DPS include some sort of branding (eg. instead of a Q for the question, put P for the name of the magazine)
- Change the title on the DPS and link it to the front cover
- Make the opening paragraph on the DPS bigger
- Remove certain bands on the front cover that don't link in with the genre of the magazine

Wednesday, 22 February 2012

Feedback

Put more content on the front cover
DPS background needs to be more exciting- adding a transparent image
More exciting font
Text doesn’t contrast well with background on contents page
Good language

Sunday, 19 February 2012

Notes for evaluation

1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
It includes the front page, contents and double page spread which most real magazines have. It includes a large picture on the front cover of an artist who the double page spread will be about. MY magazine has a name like every other real magazine. My contents page challenges the normal contents page as I have tried to be unconventional. I have not used any pictures of artists, and have kept it black and white so it's simple yet effective.2. How does your media product represent particular social groups?
The genre of music appeals to a social group which all have the same taste in music (psychedelic rock)
3. What kind of media institution might distribute your media product and why?

4. Who would be the audience for your media product?
teens to late 20s would be the audience for my media porduct as the way the magazine is styled and the contents would most appeal to them.5. How did you attract/address your audience?
I used a plain background and a picture in the box on my front cover. I thought this was very unconventional and might attract and different audience. 6. What have you learnt about technologies from the process of constructing this product?
I have learnt that it isn't just using photoshop. You have to draft everything and get audience feedback as well as asking lots of different people their views.7. Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
I feel i have learnt how to make the magazine look more like a real magazine, I feel i have gotten more confident at using photoshop to make a realistic magazine.

Thursday, 9 February 2012

Final Drafts

After lots of different attempts on photoshop I have made my first drafts for the front cover, contents page and double page spread



Tuesday, 7 February 2012

Draft DPS

Not too sure on the photo. A bit boring considering her genre and style. Will need to meet up with the model again and experiment with costume hair and make up.

Monday, 6 February 2012

Draft Contents

I have created 2 contents pages. I can't decide which background I like best and will decide nearer the time.


Sunday, 5 February 2012

Test shots

Had to re upload them but on to a new Flickr account as the previous one has all my photography on it and used up alot of space

Thursday, 2 February 2012

DRAFT COVER


Draft Atricle so far

If the return of Aurora has taught us anything, it’s that comebacks can and will happen. She’s not the first artist to experience that slow and painful writing process and won’t be the last. As cocooned as she may have become in recent times, she still has enough self-awareness to realise that some reintroductions are needed. At the first night of her comeback gig at the HMV institute in Birmingham, she opens via the thrilling ‘Say No More’. The unmistakable beats rippled through the building and the crowd went crazy. A surging ‘Take It Back’ provides the evenings first dose of euphoria and even the usual finale ‘Spectacular’ is tossed in early doors, with nerves dispatched Aurora decides to reacquaint herself with her hometown crowd.   With funky synth melodies, this autumn the soloist will release the anticipated third album…
Q: Well, that was an experience wasn’t it?!
A: That was incredible! Definitely the best gig of my life, didn’t realise I had as many fans as that
Q: You certainly do. So Aurora, I’ve had a question that’s been on my mind for a while. Why is your name Aurora?
A: Well that’s not my birth name obviously, I wanted a stage name, something really different. I love space, I studied Astrophysics at Uni before my career in music started and my favourite thing about space are the Auroras so I just thought, why not?
Q: Ah, now I finally understand. You studied Astrophysics? That’s unusual, how did you get in to that?
A: I’ve always been a bit of a geek. At school physics was my favourite subject, I was never good at the maths bit so I couldn’t study Mechanics but my teacher suggested I start researching in to space and since then I’ve always been fascinated by it. I went to Uni in Lincoln to study it and had the best time there. It was there that I started showing people that I could sing. I did a lot of open mic nights at the pubs and bars around the town.
Q: Apart from this gig, what’s been your favourite gig ever?
A: Probably when I did a gig in Camden, everyone’s very strange down there.. I remember walking down one if the side streets as I did a some shopping there and before I know this guy is screaming my name and running up to me with a cat in his hands. Definitely one of the weirdest fan photos I have stopped to do ever. But apart from that the gig was really good fun, there was such a crazy atmosphere, pretty sure more than 50% of the crowd was high that night
Q: You recorded a few album tracks in your Brooklyn apartment. What’s the best part about working at home?
A: Well, one of the songs on the album is called ‘Why not?’ It started with just me and my Jack (her producer) just messing around, we never took it seriously as a song. But a few days later we ended up doing a live recording of it at like 3 in the morning when we’d had too much coffee and that’s what ended up being the main foundation for the song.
Q: How’s the album coming?
A: It’s mixed and mastered, I’ve spent a very long time getting the lyrics just right. Now I’m just working on presenting it to the world.
Q:  As a fan, how do you find new music?
A: I don’t really listen to new music, I’ve had the same 4000 and something songs on my iPod for years now. If I do hear about a new friend it’s usually one of my friends pushing it on to me to listen. A lot of times I just hear stuff in people’s cars, or in a bar or something and I’m like “What is this?” and then I go home and I look it up on the internet or something.
Q: I really like the illustrations that you did for your album artwork, and I also noticed that your lyrics are full of very visual images. Could talk about how the visual art that you do and the musical art are connected?
A: If I’m not playing music, I’m drawing. When I wake up first thing in the morning my throat sounds like it’s got cobwebs so I just sit there and draw. All day long. My throat doesn’t catch up with the rest of my body till mid afternoon so until then it’s just drawing or playing piano.
Q: You play the piano? Why don’t you include piano in to your songs?
A: Everyone asks me this! I just don’t think my voice and the piano go together. I like to keep them separate. I wouldn’t class my voice as being beautiful yet the music that the piano produces is beautiful. Piano should be left without vocals in my opinion.

Wednesday, 1 February 2012

DRAFT COVER


This is the draft cover for my magazine. I styled it on the first drawing that I did. The model used here is the model I will using on my final cover however her costume and make up will be different. The background will also be different.